I woke up early to write, but what does it look like to write this morning? What does it look like to write with the election three days old? What does it look like to write when your neighbors have called the police to have your car towed, and someone has keyed your car, and then your neighbor comes over to say, “This is not that kind of neighborhood?” What does it look like to write when Leonard Cohen has died and you hear the words of Lin-Manuel Miranda and The Roots as directed at you in some small way:
See I’ve been patiently waiting for this moment
To rise up again, that’s the way I was molded
And as the last one standin’ as the rest of them foldin’
Give me my one chance to grab the torch and properly hold it.
And I am not throwing away my shot.
What does it look like to write when the essay you’re working on is about something that happened ten years ago, and you had been writing it from a place of peace and perspective but now 2016 feels like it has no wisdom to offer 2006?
What does it look like to write when someone you love is sick and you don’t know if they will live to see you publish your first book, and the pressure and sorrow of that leans against your pen and weighs down every word?
What does it look like to write when the President-Elect is someone whose name you swore you would never write, even in your journal, not out of hatred but because attention fuels his chaos like oxygen fuels a fire? If this were a novel it might be an interesting narrative device to have a character without a name, a whole book in which he is referred to only obliquely. Vonnegut could have done it well. But this is real life, and Vonnegut is gone, and the fire has caught hold of the highest office in the land, and how can you write a story while the world burns down and not mention the arsonist?
What does it look like to write this morning? Last night I came home and told my housemates that our neighbor, who had called the police on us, had said he would come by that evening to chat. He said he wasn’t the one who keyed our car and, “Let’s not escalate this.” Mark and Allison and I touched base, but Allison had a bad migraine from the stress of it all, so Mark and I said we would talk to the neighbor when he came. We were tired, and really wanted to change into sweatpants, but we kept our “nice” jeans on and waited for the doorbell to ring.
I stood in the kitchen while my dinner was cooking, and breathed deeply, and tried to pray. All day and the day before, messages of love and sorrow had been coming in on my phone, by text, by Facebook, and by Twitter. My friends and I needed to feel each other near, and so we sent warm-breasted homing pigeons to each other with tiny messages tied to their legs: “I love you.” “I’m thinking of you.” “You are needed here — don’t despair.” I breathed deeply and tried to relax my shoulders which were tensed to hear the jangle of the doorbell, while my phone made soft little chirps and coos and I could hear the rustling of the pigeons’ feathers as they landed.
And so I breathed deeply, filled the kettle with water, and put it on the stove for my neighbor.
I don’t know what it looks like to write this morning. I don’t even know what it looks like to pray. My neighbor never did come over last night, and so I went to bed and set the alarm as I’ve been doing lately, to get up early and write as I watch the sunrise. I didn’t get anywhere on my essay about 2006, though. I don’t know what it looks like to write in November of 2016. But I do know how to breathe deeply. I’ve been working on that. I do know how to strap a tiny message to a pigeon’s leg and send it out into the night. And I know how to put the kettle on. I learned that just last night.
So that’s what I wrote about today. And, friends, readers, listen — I love you. I’m thinking of you. You are needed here; please don’t despair. As Glennon says, stay close. I have tea and coffee, and my kettle will be on, here at Ten Thousand Places and on my Facebook page. This morning I recommend English Breakfast, or maybe yerba mate (after coffee, of course). Whatever the “how” of writing, I already know the “why” and it’s you.
All my love,